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Arthur Pingrey

Producer, Composer, Creative Director

Artist Development

 

 

About

 

Arthur Pingrey is a versatile composer, producer, songwriter, multi-instrumentalist and mixer based out of New York City. He has produced the music for eight Oscar winning or nominated films, including three Best Original Song nominations. He has produced music with a diverse range of artists including Sia, Anohni, Norah Jones, Liza Minnelli, Branford Marsalis, Youssou Ndour, Jim Jones, Karen O, and Sting.  Arthur is also an accomplished songwriter and co-wrote the Flo-Rida hit "Whistle"

 

As a Creative Director and Partner of The Rumor Mill, he has an extensive background in music consulting and award winning bespoke sonic branding for clients such as Nike, Samsung, Coke, Mercedes, GM, Microsoft and The White House. He has Creative Directed, Produced, Mixed and often Composed countless commercials and scores, including multiple AICP and Cannes Lion winners.

 

 
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Music Production + Mixing

Producer - Engineer - Mixer - Song Writer - Musician

A PLAYLIST OF SELECTED MUSIC PRODUCTION WORK

Arthur has produced music with a wide range of acclaimed artists including Sia, Anohni, Norah Jones, Joshua Bell, Liza Minnelli, Branford Marsalis, Devendra Banhart, Youssou Ndour, Jim Jones, Karen O, and Sting.  He is also a skilled engineer and mixer, fluent in ProTools, and an accomplished multi-instrumentalist, singer, programmer and arranger.  He has produced and engineered sessions ranging from The London Symphony and London Voices at Abby Road, down to intimate field recordings.  

Selected Film Work

Score - Sound/Music Edit - Mix

Film Stars Don't Die in Liverpool Dir. Paul McGuigan con Jamie Bell, Annette Bening, Julie Walters, Vanessa Redgrave En Inglaterra surge un romance entre un joven actor y una estrella de Hollywood.

Arthur has an extensive film background and has produced the music for seven Oscar nominated or winning films, including two Best Original Song nominations, along with two Emmy wins. Film credits include Composer, Score Producer, Music Editor, Music Mixer, Sound Editor, Sound Mixer.

Music Consulting + Branding

Advertising - Branding - Music Supervision - Creative Content

SELECTED ADVERTISING WORK

SELECTED ADVERTISING WORK

As Creative Director and Partner of The Rumor Mill, Arthur has supervised, produced and composed the music for hundreds of commercials, brand identities and media projects.  His commercial work has received the highest awards in advertising, including the AICP and Cannes Lion.  Clients include:  Nike, Samsung, Coke, Mercedes, GM, Microsoft, Merrill Lynch, De Beers, Target, Smirnoff, Marc Jacobs, The Olympics and The White House. He works closely with clients from inception, through the revision process, and the final delivery stage.  

 Frequently Asked Questions

What does a music producer actually do?

A music producer’s main job is to help clarify an artist’s vision and ensure it translates emotionally and sonically at a high level. My role goes well beyond technical production and gets to the root of who the artist is, what they are expressing, and why it matters. I focus on identity, performance, and intention, and I spend a great deal of time listening and asking questions before making decisions. This work is personal and nuanced, and it is easy to miss the point if you rush or simply follow trends. Humanism, artistry, and creativity are the foundation of my work, and more important than ever in the AI age.

How do you approach artist development?

Artist development is central to my process. We focus on defining artistic identity, emotional core, and the world the music lives in. The goal is not just strong songs, but a clear and authentic artistic voice that communicates personality, narrative, and perspective in a consistent way. I think of a recording artist as a conceptual project, creating a world and connecting with people. The more intentional, creative, and emotionally grounded that world is, the stronger the connection with an audience. This extends beyond music into visual identity, presence, and communication. An artist’s social media presence is just as much a part of the project as the production or lyrics.

What kind of artists do you work best with?

I work with artists at all stages of their career, but I work best with people who are serious about craft, growth, and meaning. Some artists I work with are early in their journey, while others are more established or come from professional backgrounds outside of music. What matters most is curiosity, intention, and a desire to create something authentic. If you want to refine your vision, lean into creativity, and make work that feels honest rather than generic or trend driven, we will likely be a good fit.

Do you help with releases, marketing, or audience growth?

Yes. I have worked extensively with artists, management teams, distributors, and labels across a wide range of budgets and goals. I bring a big picture perspective to projects and regularly help artists think through release strategy, fan engagement, editorial and playlist pitching, visual identity, and digital presence. This can include guidance around social platforms, press, video, branding, and advertising when appropriate. Even when I am focused on one part of a project, I am always thinking about how the work fits into the larger context of the artist’s world and long term direction.

How involved are you creatively in a project?

Creativity is central to everything I do. In a saturated landscape, especially one filled with polished AI generated content, meaningful work comes from human perspective, risk taking, and intention. I take time to understand an artist’s vision before offering ideas, and I never impose an agenda or force a sound. My role is to support the artist, ask the right questions, and help bring the work to life in the strongest and most honest way possible. I aim to encourage creativity, depth, and trust in the process.

If you feel safe in the area you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth. And when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting.
— David Bowie
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